This show is a joy to watch.
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Simply well-crafted theatre with a clear intent, reminding us of the spirit of the Fringe.
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If you’d like to see some very solid improv, be sure to check this show out.
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Laura Landauer perfectly delivers many of Céline’s unique mannerisms.
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Absolute Magic is simply honest-to-goodness fun for all.
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Effectively conveys how BIPOC experience racism differently across cultures and ethnicities.
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Sarah and Racquel maintain the challenging balance between chaos and control.
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This is one of those shows that blurs the line between audience and performer. It’s a nice respite from the otherwise formality of theatre.
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A diversity of performers, not just in broad stylistic terms, but in its four unique stage presences.
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The show is irreverent and self-aware but careful to not sacrifice sincerity in the process.
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This show succeeds at adding depth to the love triangle trope.
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Alia Ceniza Rasul: Moro Girl strikes a difficult balance between hilarious stories and uncomfortable truths.
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